Author, Patrick G Cox, is a veteran of the indie publishing scene and
I've had the pleasure of working with him a few times, most recently when custom-designing the cover for
Pat Cox's latest book, Harry Heron: Midshipman’s Journey.
Q: What is Harry Heron: Midshipman’s
Journey about?
The basic story is about two boys from
very different social backgrounds growing up, but there’s quite a
bit more to it than that. To start with they’re Irish, and though
Harry’s family have some connections, they aren’t in possession
of wealth and ‘office’. Ferghal, Harry’s companion, is the son
of his father’s Head Groom and a Roman Catholic in a period and a
place when being a ‘Papist’ barred you from a lot of things.
As a ‘younger’ son, Harry knows his
inheritance will be limited, so he faces the choice of Law, Army or
Church for his future. He chooses the Navy, and Ferghal is determined
to follow. Thus their ‘growing up’ takes them to London, where
Harry must first find a patron and sponsor, then to a ship. With the
Peace of Amiens, they transfer to another ship and find themselves
sent to Australia and thence to India and Arabia. Adventure is
lurking for them at every turn until the ship turns for home again
and a resumption of war with France.The story is also an
‘introduction’ to a future world Harry and Ferghal could not have
imagined. In the final chapters the reader is given a hint of that
future when they meet one of Harry’s descendants, now the Captain
of a Starship as he contemplates a replica of the memorial brass
dedicated to the memory of Harry and Ferghal.
Q: What sort/age of readers would
most enjoy it?
I would really like to think there is
something here for readers of all ages, but realistically, I would
guess, since it is the ‘introduction to a longer story arc that
takes us (and Harry and friends) into the far future, that it will
appeal most to Young Adults, those who like ‘historical’ settings
and science fiction - because that is where this story is going after
this book.
Q: The Napoleonic 1800s is a popular
era for historical writers, what is it about this time that draws you
as a writer to it?
Probably because it was an era in which
men achieved massive feats with only their own muscles, ingenuity and
resources to help them. It was an era in which the ‘reach’ of
authority vanished at the horizon, once you were out of sight, you
were own your own.
Reading the journals of Captains and
officers from that time, you get a real sense of the freedom of
action they enjoyed. They didn’t have some politician in constant
contact trying to micro-manage world shaping events on the other side
of the globe. Each Captain was, in effect, a ‘king’, the ruler of
everything and everyone on his ship, and he had to be a diplomat as
well, representing King and country in distant lands.
Communications were slow, it took
almost six months to send a letter to India for example, and almost
the same to Australia. By the time someone in Whitehall or
Westminster heard of some event on the other side of the globe, some
local commander had either dealt with it, or fallen victim to it. I
sometimes think things worked far more effectively than they do now
as a result.
What draws me to it, and I suspect
other writers, is that it is so rich in larger than life characters.
Many of them not from rich and powerful families. A lot, like
‘Captain’ James Cook (his actual rank was Lieutenant), self-made
men in command of small handy ships that kept the trade routes open,
carried orders to and from the grand fleets and in between achieved
some remarkable feats of navigation.
Q: I understand this novel was
released some years ago, but has now gone through a complete rewrite
and edit. What gave you the push to take on such a big task?
It started out as an attempt to get the
original available to readers on Kindle and other e-formats. It was
one of my first attempts at a novel and, as Janet Angelo, my editor
and publisher, of
IndieGo Publishing, quickly pointed out, it had a number of ‘structural’
problems. She felt, and I’m sure she was right, that the
combination of the longer science fiction sections with the historic
parts created a number of problems for readers. Those who like
‘historic’ settings and stories would not identify with the
‘scifi’ bits and vice versa. She also pointed out that, though
there was a good story, it lacked any purpose other than to be an
introduction to a future story.
So she persuaded me to write a new
start to the book, going right back to Harry’s childhood. Which
took me back to Ireland in the 1790s and all the unrest and upheaval
of that period that culminated in the two failed French invasions and
the bloody uprising that paved the way for the ‘troubles’ still
plaguing that beautiful country. With that done, it was time to look
hard at the ‘scifi’ element, and in the end I retained only a
fraction of it, right at the end, to link this story to the books
which follow it in the series. The result is, I think, and I hope
readers will agree, a very good story and a good book.
Q: As someone who is a pioneer in
self-publishing, what recent changes have you seen that benefit the
self-publishing/indie author?
Funny should ask this, I was just
reading something about the way the whole publishing industry is
changing. It has certainly changed since I first published this book
- under a different title I must add. Self-publishing isn’t an
‘easy’ option. For one thing you are venturing a substantial
investment in your work, and secondly, selling isn’t just a
question of putting the book online or even, if you’re lucky, into
shops. There are a lot of sharks in the self-publishing ocean as
well, and you do need to make sure you know what you’re buying into
when you sign a deal with someone.
Something else to be aware of is that
‘Print on Demand’ cannot compete with traditional printing in
terms of pricing. Typically a PoD book will be priced at twice that
of a traditionally printed copy. That means your book is unlikely to
compete on the shelves of a book store with a Best Selling author’s
book from a Traditional publishing house. But, this is where
e-formats help. In electronic formats every playing field is level.
A word of caution though - if you want
to sell further books, make sure the formatting, editing and
presentation is first class. There are a lot of badly written, badly
edited and badly formatted ‘books’ available - and they drag
everyone else down.
What has improved, in my view, is there
is now more awareness of the pitfalls among would be authors, and
there are resources and services available to ‘independent’
authors to get their books polished, edited and hopefully ‘sold’
to a publisher. I have benefited from having an editor with a
publishing background on my side. Plot problems, typos, gaps in the
story are all things a good editor flags immediately, and as an
author, I can address them. This is something that is lacking in many
‘packages’ sold to self published authors.
Ironically, as self-published authors
are cleaning up their work, polishing it and making sure it is
‘quality’, many of the traditional publishers seem to be
slipping. Maybe it is because I am now conscious of the problems in
my own books, I find I’m spotting typos, grammar errors, and other
problems in traditionally published work. I’ve even seen glaringly
mislabelled captions, entire pages repeated and passages misadjusted
in books by famous authors. I’m told this is because many
publishers now don’t employ separate ‘proof readers’, but leave
it all to an ‘editor’ who may be engaged in dealing with four or
five books at the same time.
Q: What tips would you give to
others considering self-publishing that you wished you knew when you started?
Get an editor. Listen carefully to what
they say about the problems, and the improvements they suggest.
If
you’re using a historic setting, research it. There’s nothing
more irritating to many readers than inaccuracy when writing about
historic events. Even details of uniforms and ranks are essential,
and even modern ships take weeks, not days, to cover long distances,
and sailing ships a lot longer. Many years ago I was completely put
off the writing of a very good author, by one simply glaring error -
he had a sailing ship cover a distance of some four thousand miles
round the Cape of Good Hope to reach an island in the Atlantic in a
few days.
Write the story, and then edit, edit,
edit. Sometimes you really do need to ‘kill’ some beloved part of
the narrative you’ve created, simply because it is too long, or not
relevant. Then choose your publishing package very carefully. You’ve
invested a huge amount of time and effort into creating the book,
invest some money into getting the best package - and then be
prepared to ‘market’ it. That takes a lot of time and effort, and
sometimes money. There are something like 2 million new titles
published each year, getting noticed takes a lot of effort, and it
doesn’t happen overnight.
Q: Can you tell us in on your next
writing project?
With pleasure. I have three in hand,
two complete - one, also set in the 19th Century and twenty years
after Waterloo is with my publisher at the moment - and two more
being edited and polished. The book currently going through the
pre-publication process is set against the background of the Thames,
and the trading barges that carried the goods and some would say the
wealth, of Britain to and from London and the crowded shipping in the
Port of London. It has crime, corruption, hardship and courage. The
research for it was an eye-opener in many ways. I’m hoping to
follow this with another 19th Century set novel also revolving around
the Thames and the East End of London.
Q: Where can we buy your books?
The books are on sale through any good
bookstore,
Amazon,
Amazon UK,
Barnes and Noble and other online outlets
, including of course my publisher IndieGo Publishing
In
electronic formats, it is also available from iTunes,
Kobo, and Google
Books. A full list with the links is available on my website
harryheron.com
Happy reading!
I met Dunedin author Beatrice Hale last year at a talk on publishing ebooks, we had a great chat about writing in general, and I was tickled pinked as they say when she trusted me to create the cover for her first venture into writing for children.
A
Necklace of Souls
was initially published after winning a novel writing competition -
the Tessa Duder Award for YA fiction - what
tips/advice would you offer other writers entering the same or
similar comps?
What
else have you had published, and what is coming up?
